A cheap and reactionary film. There is no"redemption" here, but"hope" (the hope of what?). What happens the next day, when parole officers catch up with Red? What happens to bringing the real culprit of Andy's wife behind the bar? Where is the PTSD of an"institutional man?" There is no deep critique of prison economy here, nor that of America's CJS (all we have is a few corrupt officials outsmarted by a banker who of course ran away w all the money and is praised for it, sounds familiar?). The completely implausible"figaro" sequence cheapens the real struggle for freedom. All of this is the stuff of cheap Hollywood.

女主真的挺美的，身條也讚。那時候的b級片，總是讓人驚喜的，知道觀眾都好這口，現在的血漿片簡直沒法看。都要夾帶私貨

迷了很久的布蘭登弗雷澤~

成龍在屋頂喊，我是誰 的時候，我鼻子好酸。

看了前傳更覺得原作者設計的劇情毫無張力，又熱衷於堆砌宏大世界觀，結果是要展現想象力的部分毫無生趣，想渲染悲情的時刻則十分空洞…衝著鬆岡賣力的演技給3星