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比起原作更傾向於這邊的表演和演出風格，Bill將本就優秀的作品又拔高了一段。雪地裏的秋千太美。兩千塊的電影票真是便宜我了。吸鼻子聲此起彼伏，鄰座頭發花白的上班族在高潮處抽泣不停。（這幾天看下來感覺映畫祭的觀眾們都比較放鬆，不會刻意壓抑笑聲哭泣【包括鼾聲ww，以及結束後的掌聲也是來日本以後第一次遇上。）

個人英雄主義總好過隻會抗議。

感謝stardust發現了橫濱流星

~\(≧▽≦)/~好看好看！笑得肚子疼！

3 Sundance #3; Ishiguro gives Ikiru a sprinkle of poignancy distinctive in his literary works, and his screenplay successfully transplants this story to 1950s England, a period the director replicates aptly both in its appearance and its texture. However, Living does feel rushed at times and inevitably lives in the shadow of its Japanese counterpart. The first half of the film gives too little time to establish the setting, so while the life of Mr. Williams stands on itself, the final satire on the British bureaucracy comes especially less pointed and even disjointed from the rest of the film. Certain actions also feel out of space and added simply for being faithful to the original film