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The first half is extremely sloppy, dull, and overlong. There’re some terrible dialogues and sequences that I don’t know if are intentionally hilarious. Lawrence in this part is a totally uninteresting archetypical character and many sequences are just repeating his personalities over and over. Luckily the story turns out to be engaging and something I really can start to care since the second half of the film. The political plays in this part are some of the best I’ve ever seen. Characters really start to develop and become complex. The film becomes way more enjoyable as conflicts intensify. The cinematography is beautiful and the actors’ performances are great throughout nevertheless

還得是英國人/I am just a man

本片讓我看到［達利］同［耶穌］的聯係。

誰也沒錯，但總有人承擔結構和體製帶來的後果。

Lean最為宏大的煽情作品，創作力充沛的黃金筆杆Robert Bolt用紳士般的克製描繪日不落帝國餘暉下閃耀人性，美化一段後殖民時期的地區幹涉主義曆史，用這份隻屬於大不列顛殖民帝國昔日獨有的榮耀喚醒歐美民眾內心的自豪與共鳴。雖然是人物傳記，但Lean並沒有采用傳統旁觀者視角，拋棄傳記體的客觀冷靜，毅然采用主人公式的POV視角，用連續、緊湊的敘事使影片看上去更像一段跟隨勞倫斯的冒險曆程，觀眾的代入感很強，再加上驚豔出色表現的視覺與細膩的敘事節奏，伴隨著Bolt標誌性舞台劇般斬釘截鐵的台詞，儼然成為現代好萊塢商業作品標準範式，後輩盧卡斯、斯皮爾伯格、卡梅隆在重複講這樣個相同的故事