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缺失信仰就有可能被魔鬼上身了。。。太長了，好無聊。。悶

浪漫，旅途，笨蛋跳影子風車

印象最深就是那個扭頭扭了180°的女孩，作為一個驅魔類恐怖片的開山之作，奠定了以後驅魔片所走向的基調，場景設計、鏡頭語言和場麵調度都做出了自己的特有的風格，另外身臨其境恐怖感做的很逼真，不少現在的恐怖片都向本片借鑒了很多東西。

童年恐怖片，當時當搞笑片看了很多遍

Sinners who art on earth, behold the masterpiece of horror! I can’t resist to make a philosophical reading of the film, helped on by Foucault. If the most evident level of dread stems from the possession of a sweet young girl by an ancient demon, another less obvious layer is much more significant. The movie starts by showing the child as bright, blooming, active - at most shaken up by her parents' recent divorce. As the doctors get more and more hold of her, kicking off with medication then moving forward with invasive, shocking tests & treatments, she gradually loses her self. As such, it's the cold, instrumental, dehumanizing gaze of the medical institution that is the most terrifying.