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愛沒有給我任何好處。愛毆打我，強奸我，罵我是畜生，讓我覺得自己毫無價值，讓我惡心。。。。。

Being naive is not ashamed. 你們這些玩弄馬克思主義的孩子！

情感加倫理的結合，哭的亂七八糟，喜歡姐姐戀愛那段，每個小細節都喜歡，喜歡那個滿盛著幸福回憶的DIY相冊。

The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière

還是哭了，雖然熱淚盈眶的忍了很久