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This is how you do meta-narrative: If all stories are make-believe, then what is important becomes not to condescendingly and cynically discern and reject the structured patterns, but to unite in a community of beliefs, and the story is thus transformed into therapy for trauma and catalyst to action. At the end of the day, Shyamalan is someone who firmly believes in the power of visual storytelling and the autonomy of stories, which makes him one of the few truly original filmmakers in Hollywood.

一般般啦，不過總算知道了開膛手的故事。

救贖、寬容、友愛，這是非常溫暖的。隻是片子過於平淡。

那個年代竟然就已經開始玩起了裸照威脅和腐女梗，也在喜劇中加入了對家庭主婦生活困境的呈現，片尾還請來了大半個香港娛樂圈的明星，有點意思。

不理解一片倒說難看，沙馬蘭的視聽技法一直很厲害，好看，一步一步，引人入勝。就是劇本像入門級的，概念和說法為上，符號化和轉折設計作祟。