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The amount of emotional vulnerability and sensibility portrayed in this film is laudable: the writing and editing really made sure to give enough space for the audience to savor the messiness, complexity and depth of the hardest to express emotions like grief fear and love. At times the scenes felt too much like a music video, but overall they make it a stylish film.

音樂好棒，化繁為簡，舉重若輕，很好的調解了氣氛，釋放了強度。堅硬的德國財長也回答，作為愛國者我會說“No”。拉加德多麽希望房間裏多一些“成年人”，什麽是成年人呢？想起那個段子，“小朋友才分好壞，成年人之論得失”。記得那一段，沒少說希臘債務危機的新聞，這其中，有多少大戲一幕接一幕......

有幾段的攝影挺隨意自由，有些靈氣。

像是理工科十級學者做的人文社科研究

克林特·伊斯特伍德老了，不知幾年後也將落幕。