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A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.

墮胎那段太嚇人了 看的太壓抑了太可怕了

電影的明星要重質不重量啊親~現在的雷片多學學吧

從複聯開始補課Marvel的電影，直到coulson叔才讓我正式墜入marvel的坑，再也爬不出來了。。。重溫了一遍Marvel所有的電影，Coulson叔才是絕對男一好麽，每部都有他，戲份不少還特出彩，果然是時尚最有存在感的醬油帝~~

學校組織看電影，在影院裏哭得撕心裂肺。