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倆字兒：“神作！”光是那個囧囧有神的播出順序就夠彪悍的了！

原作是我最喜歡的幾篇短篇小說之一。影片中處處能看出日本讀書人的地位比舞伎高得多，這也是故事悲劇性的根源。三浦君年輕的時候真的是驚為天人啊。

勾起經曆的回憶的老劇，最粉日劇，沒有之一

One might dispute how real, or how artificial this film really is (indeed, that's what the directors themselves explicitly examined in the film), but there is no denying that this is one of the greatest, and most self-reflexive experiments in cinema history. By allowing the interlocutors to dictate where they want to take the conversation, Rouch & Morin created a moving poetry in motion.

影片講述了兩對年輕夫婦因性格原因而生活迥異的故事。