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其實我覺得這片子挺懸疑的。。。為什麽沒有懸疑的標簽？

indeed like kord concluded, the strategy of horror films is to elicit the guilt by making the audience identify themselves with the persecutor rather than the victims. beyond the scopophilia and identification/allegiance, this film is also multilayered regarding to the speciality, the death, the corporeality, the psychoanalysis and cine-reflexivity

三個多小時的電影。人的命運跟著時代，跌宕起伏。電影拍得挺好看的。

原來是三哥~ 最後從電梯道裏升上來的鏡頭印象很深刻，兒時的夢魘~

古希臘式悲劇被現代性攪亂了陣腳，後麵顯得不知所雲。