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在漫長的白雪中，在室內，人們身上的光輝總讓人動容

戰爭和教育是否能打破階級壁壘？不，階級二字刻在這個民族的基因裏。

搖擺於紀錄片和真實電影之中retraces a journey from the end of summer to deepest winter, from East Germany, across Poland and the Baltics, to Moscow. It is a voyage Chantal Akerman wanted to make shortly after the collapse of the Soviet bloc, “before it was too late,” reconstructing her impressions in the manner of a documentary on the border of fiction. By filming “everything that touched me,” Akerman sifts through and fixes upon sounds and images as she follows the thread of this subjective crossing. Unfolding without dialogue or commentary, FROM THE EAST takes the form of a cinematic elegy.

劇本不錯。可惜拍得不精彩。

非常重要的作品，記錄了蘇聯解體後東歐的生活，既有私人空間也有公共生活，全片無對白無情節，是阿克曼常用的凝視拍法，但加入了大量的橫移長鏡頭，使得影像更具韻律感。部分場景疑似擺拍，人物的站位和造型具有形式主義的奇觀感