- 清空播放記錄
您還沒有看過影片哦
食用炭素:171.11.153.17相愛相殺的兩姐妹,用光可以說做到了極致。。。這三部曲真正體現了導演對神學的懷疑態度,可以說《第七封印》和《處女泉》並沒有徹底否認上帝的概念,然而《猶在鏡中》對上帝存在的懷疑、《冬日之光》對上帝的否定,以及《沉默》中對上帝缺失之下人與人關係的探討,不僅否定了上帝概念,同時流露出伯格曼後期關於人物交流困境和心理陰影的電影主題。
紅燈王:139.205.14.118個人主觀感受:感覺非常注重畫麵質感,布局,色彩,然後很多長鏡頭的獨白,原來我感覺這非常考驗演員的沉浸感,看了這個發現還非常考驗台詞設計,就是挺無聊的,幾百度看不下去
你被強化了快送:106.82.92.111伯格曼最佳。以聲入畫,由畫代聲,一切身體成為流動的時間,而時間同時反饋在聲色的起落,太美妙了。
落石注意:222.23.110.127打戲太爽了!文戲太牛了!細節太到位了!無名會成經典的!導演真厲害!
丁誌琳:121.77.117.31Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.



