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依舊是招牌式Linslater的話癆，關於宇宙時間生命和夢境，看到存在主義那段就決定滿分了。If you say yes to one instant, then you say yes to all existence; Have you ever wondered that whether you are a dying old woman lying in her deathbed, hence everything around is your stay; What we did not take into account when we were young was our endless curiosesity; I am afraid of losing the virtues of living life passionately, the sense of taking responsibility for who you are, the ability to make something of yourself and feel good about life. Existentialism is often discussed as if it is a philosophy of despair, but I think the truth is just the opposite _ It is always our decision who we are.

Cctv6 當年還是比較敢拍

一部跳脫了國家、意識形態和民族主義，隻關懷屁民的悲歡離合和普世價值的反戰電影，我有什麽理由說它不好。希望有生之年能看到拆你死拍出這樣的電影思密達。

從性侵、生育、性別歧視等角度表達女性生存困境，類似鄧衍成的弱殺，反派也是個孔武有力的肌肉男，導演應該是受到港產片的影響，片尾的追車戲模仿得很到位，隻是對於被性侵者和性侵犯的刻畫太過蒼白，絲毫感受不到被性侵者的痛苦，對性侵犯的罪行批判也很輕描淡寫，反而女主比自己的妹妹更痛苦，結尾確實目瞪口呆，那個年代不需要用一句話來過審，著實是個瘋狂的年代

一部動畫片 有必要這麽拍嗎? 我承認我是個俗人. 昏昏欲睡啊 - -