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這片子確實看的還很爽，因為我也曾對爵士樂很入迷。不過說實話，我理解的爵士樂是即興的，是自由的音樂，而影片裏這樣玩音樂是和自由背道而馳的，反而是種壓力和負擔。

要走出大敘事，就去關心普通人吧，關心普通人在至暗時刻爆發出的勇氣和愛。

J.k.西蒙斯應該能拿下男配！這片子的節奏感實在太棒了，爵士樂和剪輯簡直融為一體了，還有西蒙斯機關槍版惡毒的台詞，髒字就像鼓點一樣密集且激烈，幾場打鼓的重頭戲在鏡頭上都是細碎古怪，靠剪輯重新賦予整體戲一氣嗬成且不斷加速的節奏，可惜整部電影還是碎的，否則就真成大衛·芬奇了。★★★★

Follows twentysomething Miep Gies who, when her boss Otto Frank came to her and asked her to hide his family from the Nazis during World War II, didn't hesitate. For the next two years, Miep, her husband Jan, and the other helpers watched over the eight ahwj.cc souls (Otto Frank, his wife Edith and daughters Anne and Margot as well as four others) in hidin.

兩星半吧，這個設定和衝突就挺站不住腳也不夠完善，劇情漏洞也很多，按文藝片來看的話也並沒有對人性方麵有什麽深入的探討，角色塑造和演員的表演也乏善可陳，有點四不像。