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結局一定要把魚釣回家的台詞太有愛了=-=

3 Sundance #3; Ishiguro gives Ikiru a sprinkle of poignancy distinctive in his literary works, and his screenplay successfully transplants this story to 1950s England, a period the director replicates aptly both in its appearance and its texture. However, Living does feel rushed at times and inevitably lives in the shadow of its Japanese counterpart. The first half of the film gives too little time to establish the setting, so while the life of Mr. Williams stands on itself, the final satire on the British bureaucracy comes especially less pointed and even disjointed from the rest of the film. Certain actions also feel out of space and added simply for being faithful to the original film

如果在故事最後一幕，最初的女人沒有出現公寓門外，那這部片子就是一個徹頭徹尾的諷刺悲劇，但有了最後一幕，主題隨之變化，也就成了喜劇。所以說，故事在哪結束，必須得講究。

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原來覺得爆笑，現在覺得還行