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前麵還行，到後麵就是一個悲劇。一切的非主流都要回歸主流。這大概是曆史的潮流。

啊啊啊 懷念三兄弟一起的日子

有很大一部分是因為老屈的男色和bee gees的音樂

作為記錄媒體行業的電影，本身國內少之又少，2星給題材，其實隻配1星，存當我紀念我死去的愛吧。一開局就實習記者分分鍾叛變，單一信源稿件成為核心發稿材料，後麵離譜的還有車上的艾滋病針，艾滋病病毒一旦離開寄宿體就不能生存，在空氣中也會迅速死，那根針是咋回事？再往後，08年的全新果手機係統，08年的蘋果電腦等等，保潔阿姨無聊引人入內、女記者一個人冒冒失失到處跑，馬華不知道怎麽跑出來跳橋、老領導沒事炸別墅、表彰會女主靈魂出竅，雷點實在太多了。 一言難盡。隻能說吧，麵孔化嚴重，層次化不明顯，媒體麵對的敵人，其實未必是企業。

Donnie Brasco? “Forget about it.” Immersion in the microcosm of the mafia through the eyes of an undercover agent, who gradually becomes more integrated as he moves up the ladder. By showing an extended period of initiation & adaptation to the norms and rules of such a closed and autonomous universe, the movie produces a fascinating and multi-faceted ethonography where the symbolic plays the greatest part. Many strong themes shape its narrative: the substitute Father-Son relationship, the aporetic identity of the Simulation subject, the impossibility of reaching a personal moral position that is strung between opposite demands. Memorable & superlative duet performance by Depp & Al Pacino.