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您還沒有看過影片哦
正因為你的話語:121.77.167.106半夜敲門,“誰啊?”“是我。”“進來吧,把門鎖上。”結尾的車廂內傳話挺感動的。
灼灼傾邇:123.233.1.44無聊到看完很可惜自己浪費的時間
織風:139.209.121.85北海道啊北海道,誰看了不想去啊!
木納格:139.212.163.49辰光 基曼 界 癔症>>其它
51放開:182.81.162.94The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière



