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我不知道該如何評價這部影片，但這樣的影像和母親的來信結合在一起，讓我數度落淚。

一個點子吃到底，手法上真是各種不得章法的賣弄啊……

城市生活作背景，母親寫的信慢慢念來。即使在實時通訊如此發達的當下，看信的內容依然感動，那是人類共通的情感：父母對子女的牽掛。牽掛與想念，在各種細節上，年歲越大，越能體會。01:25:13，mkv，648MB，我看的字幕將導演名字翻譯為“香坦”。7月28日19時，中國電影資料館會放映此片，希望觀眾不要瞌睡喲

導演想說的太多。最後變成了說教！

Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.