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‘Then it don't matter. I'll be all around in the dark - I'll be everywhere. Wherever you can look - wherever there's a fight, so hungry people can eat, I'll be there.‘ ‘We're the people that live. They can't wipe us out; they can't lick us. We'll go on forever, Pa, 'cause we're the people.’

耽改出道又當又立，肖戰爬! 別人吃水不忘挖井人，你家發財還要刨祖墳。嘔。

比起《巴裏林登》，我更願稱之《亂世兒女》；比起《亂世兒女》，更願將這部電影看作“庫布裏克的大型攝影技術實驗與成果展示”，變焦鏡頭的大量使用、精致的構圖與場景設計，整個電影劇情上的閑筆成了油畫般的藝術品。一直以來不喜大量旁白的我，認識到旁白的魅力，他像一個先知一樣提前劇透，當畫麵真的迎麵而來時，宿命感油然而生。

Amazing creature

"Redmond, would you mind no smoking for awhile?" Barry的態度 個人上升與（上層）社會整體的衰敗 Uncle Tom's Cabin