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孵《路邊野餐》的那個蛋 蹩腳詩人（畢竟也算詩人？）

the first 30 minutes was… fine, and it was quite an experience watching housework while doing housework, but then as the minutes dragged on I felt a quiet desperation, the sense that there was another 3 hours, that it would never end, that for her who lived perpetually in the movie this mundane, circular, and profound boredom would never end

進村的長鏡頭配合誦經聲，寧靜妥帖。但誦經就好了，別念詩啊。

今天終於擠時間看完了這部chantal akerman在25歲時完成的傑作，非常驚訝akerman在二十多歲時就對電影影像藝術有著如此深刻的理解，這般天才是多少人一輩子都無法得到的。全片固定鏡頭，三個多小時的每一秒都體現了akerman的天才寫意。單調的日常，瑣碎重複的生活，被壓在身下的無助。本來因為相同生活的規律被打亂而感到焦躁，但最終卻自己結束日複一日的生活。完美。

好多年沒有看到這麽棒的港劇了！