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Living in the 'not knowing' / Don't negotiate, just accept the deal. / We can still feel the pleasure of that connection. / We can have the connection that we're hungry for. / I feel like whatever happens is supposed to happen. / - I always envied that the way you're always reaching. - I always envied you didn't have to. / I just needed a push. / He doesn't know you won't get treatment because you love the tragedy. / I want to keep things as normal as possible and you not being here is part of that.

倆瘋子。不過他們的愛情太特麽轟轟烈烈了，拋開那扭曲的價值觀不談，誰不羨慕他們愛彼此如生命？

好萊塢行活，節奏依然水準線上，利用回憶斷線準確掌控影片節奏和情緒，這都是TM算出來的啊，不過丹布朗這套反轉再反轉的梗也爛大街了。當然，作為博物館愛好者表示還是有什麽東西被滿足了

大量的象征和隱喻。運用超現實主義和表現手法，穿插夢境式和意識流的細碎片段。關於追尋理想和尋找故鄉根土的母題，列寧像象征失落的精神家園，迷霧的風景反映出主人公無根的漂泊，虛空迷茫的靈魂。詩意的構圖，哲理式詩哥，人與人之間疏異的交流，淒冷孤清的音樂劃傷人的內心，雪地裏的灰蒙，人的茫然。看不見的戰爭，勾畫出殘破，敗壞的城市跡象，死寂一片荒涼景象，人仿佛置身於無望的絕境。“靈魂若要了解自己,它必須凝視自己的靈魂。”——柏拉圖

I would watch Felicity Jones and Tom Hanks absolutely in ANYTHING. They're people who have real skills of bringing life into dialogue. Poor things, there's nothing they can do. #WkipediaDialogue