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一直到今天我終於明白了眼前的所有都不需要任何理由。

港.BD.人在江湖.身不由己.

我不太喜歡被塑造的事情，律師的正麵形象，世間的真情等等，越缺乏什麽便越虛構什麽。但年輕生澀的馬特達蒙，矮個子助理丹尼，強大的對方律師強沃特，這三個人的戲份氣場對峙太真實了。也就讓觀者的期待跟年輕律師的艱難進展，有種同步成長，一直跟進到庭審結束的那刻，使得劇情張力非常飽滿。這個結構的奇妙達成，使之成為經典。

其實不太喜歡這種大人物的傳記。最主要的是，還挺有意思的。

Perplexity, surrealism & absurdism in a musty, shabby & filthy atmosphere. Many signs inaugurate early on the sheer queerness of whatever revolves around Barton Fink - his own madman's facial expressions, a pitiful & empty hotel, faint sounds that obsessessively bother only him, dubious characters & personalities in Hollywood. But the viewer can still hang in this mess, and somehow (with a little effort) make some sense of what's happening. It's only towards the last third that the increasing contradictions explode into no(n)-sense. The only - and cheap - way to read the movie would be that most of these irreconciliable scenes are in fact dreams or hallucinations. Disappointing.