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Barton Byg, for instance, acknowledges that Die bleierne Zeit “constructs a powerful cinematic evocation of a land burdened by its past,” but he claims that the film’s power comes from “the acceptance of mass culture as a language or sign-system into which neither the critic nor the artist can intervene from the outside. They accept the film industry as it is rather than propose a radical alternative.”//Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010:385

English glitters being the language of Shakespeare✨

活生生看到一流的科幻諷刺片怎麽被續集搞成二流魔幻片的！隻有麵具下那些地球幸存者核輻射過的恐怖麵孔是亮點，最後連個地球爆炸的鏡頭都沒有

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