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自我厭棄和尋找永遠是伯格曼的主題。這片和《呼喊與細語》非常像。

工具理性統治下的集權式政治寓言。

Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.

有一點點亂。我還好。陳木勝的意思大略都懂了。吳彥祖還是不錯的~寧靜啊啊啊啊。你懂的。我舉得最後吳彥祖和寧靜一起在太陽下的藍色大海上的爛偷渡船的集裝箱上曬著太陽死掉。貌似他們心裏都是輕鬆的。好完滿。劇裏還有親愛的李燦森。除了陳果的片子他就沒帥過。。@恩恩來了 @蠕蠕大屁股 @過清粥

幾個橋段我很喜歡，僅此而已，聖托裏尼風光不錯，僅此而已