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相比於讓娜迪爾曼少了內容上的契合度，開放的環境依舊如此就顯得有些2偷懶了。

一切都在情理之中。黃軒演的壞人壞的不徹底。

Akerman brings to world cinema a level of sensitivity & perception that surpasses the best of men (Rohmer, Bergman, Antonioni, Bresson). Les Rendez-vous d'Anna is at once warm and detached, familiar yet strange, funny but serious. It's a film where the personal intersects with the historical; the sexual with the political; and the particular with the universal. Ackerman dissects, deconstructs, and redefines the elements of cinema that JLG never managed to do.

重視反詐宣傳 之前有好多人都被騙去緬甸了最近沒聽到新聞有 說明反詐宣傳非常重視

從想象力、畫麵、氣魄和形式各方麵講，都是一部應該得到重視的電影