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雖然有些帶有英式腔調的台詞過於刻意和生硬，但是絕佳的畫麵感，攝影，和貫穿的淒冷的配樂足以撐起這部電影，黑白恐怖片最佳

感覺天啟還沒發揮就掛了

#thegardencinema因為想去看特呂弗所以滿腦子去看希區柯克然後以看希區柯克的想法看完了一部根本和希區柯克沒半毛錢關係的好電影 soho奇幻夜+1

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4.5. One of the few genuinely frightening films. The ambiguity in Henry James' original has been reduced by several degrees to a more explicit cautionary tale about sexual depravity and repression, but Clayton's adaptation manages to create an unsettling and hypnotic psychological maze of its own with fluid, seemingly effortless long takes, the distorting and contrasting effects of the simultaneous uses of deep focus and extra-wide angle lens, an eerie atmospheric soundscape, and Deborah Kerr's perpetually frightened expression.